5 SIMPLE TECHNIQUES FOR CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be yearning romantics, using this difference: Buster appears a plausible mate, and the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been designed in a more liberated time, it is achievable to imagine Keaton in bed with a girl, but disquieting to think about the Tramp as a sexual staying.If the unit